Critics have been lining up to give the final instalment in the Fifty Shades trilogy a thrashing, with one calling it “even ropier than the second one”.<\/p>\n
Fifty Shades Freed, continues Robbie Collin in The Telegraph, has “zero” nuances, “drab” subplots and a script by Niall Leonard that doesn’t “add up”.<\/p>\n
The Guardian agrees, calling the third film to be based on EL James’s erotic fiction “limp and predictable”.<\/p>\n
Jamie Dornan and Dakota Johnson star in the movie, out in the UK on Friday.<\/p>\n
Directed by James Foley, it had its world premiere in France earlier this week.<\/p>\n
The film had its world premiere this week in Paris<\/p>\n
Fifty Shades Freed sees Johnson’s Anastasia Steele and kinky millionaire Christian Grey (Dornan) finally tie the knot.<\/p>\n
But their marital life is complicated by her psychotic ex-boss and what Variety’s reviewer calls “a thin, illogical abduction climax”.<\/p>\n
“The series’ former tart strain of battle-of-the-sexes comedy has bled almost entirely out of the enterprise,” writes Guy Lodge in the trade paper.<\/p>\n
“In terms of drama, or melodrama, or just bad drama, Freed rarely delivers the goods,” concurs Jordan Mintzer in the Hollywood Reporter.<\/p>\n
Pop star Rita Ora plays Dornan’s sister in the film and also performs on the soundtrack with former One Direction member Liam Payne.<\/p>\n
Writing for Screen Daily, reviewer Ben Croll says the film offers fans of the franchise “all the opulence and tastefully soft-core decadence they’ve come to expect”.<\/p>\n
Yet according to The Wrap’s Anna Hartley, “the sex scenes feel more like an afterthought, inserted to remind us of the reason the series became such a phenomenon.”<\/p>\n
The original Fifty Shades of Grey film, directed by Sam Taylor-Johnson and released in 2015, made more than $571m (\u00a3411m) worldwide.<\/p>\n
Its first sequel, Fifty Shades Darker – scripted by Leonard, the husband of EL James – made $381m (\u00a3275m) when it was released the following year.<\/p>\n
–<\/p>\n
Source: BBC<\/p>\n","protected":false},"excerpt":{"rendered":"
Critics have been lining up to give the final instalment in the Fifty Shades trilogy a thrashing, with one calling it “even ropier than the second one”. Fifty Shades Freed, continues Robbie Collin in The Telegraph, has “zero” nuances, “drab” subplots and a script by Niall Leonard that doesn’t “add up”. The Guardian agrees, calling […]<\/p>\n","protected":false},"author":14,"featured_media":399698,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[137],"tags":[16940,16939],"yoast_head":"\n